editor

Some Updates!

Hello, everyone!

I must apologise for being so quiet and for not posting in a long time. I have been (and still am) very busy studying for my Masters degree at the University of Bristol, but wanted to take some time to share some news about the other things that have kept me busy.

Firstly, I’ve been very busy with National Flash Fiction Day UK. This year I’m the co-editor of the anthology, and it was an absolute pleasure to be involved in reading and selecting flashes from the submissions we received. It was a difficult job for myself and my co-editor, the incomparable Meg Pokrass, because we received so many excellent stories.

The anthology theme is Life As You Know It, and the stories we selected are funny, poignant, evocative, and different. We also were able to include some incredible commissioned writers, writers who are very well known in the flash community, including: Etgar Keret, Stuart Dybek, Robert Shapard, Pamela Painter, Robert Scotellaro, Bobbie Ann Mason, and Danielle McLaughlin. This is to name only a few!

The anthology will be called Sleep is a Beautiful Colour, will be published in June, and will feature my flash fiction ‘They Keep Calling My Ex-Husband Brave’. For the full line-up, visit this link here: National Flash Fiction Day UK Blog.

As well as ‘They Keep Calling My Ex-Husband Brave’ being published, I have also had a handful of other acceptances since I last updated.

‘Getting the Gang Back Together’ will be published in Issue 10.1 of Flash: The International Short-Short Story Magazine. This I am still so excited about. Flash: The International Short-Short Story Magazine is one of the leading flash magazines in the UK and a magazine I have always admired.  Read more about them here.

My tiny micro-fiction, ‘The Broom of Sisyphus’, will be published in June as a part of National Flash Fiction Day New Zealand’s Micro Madness competition series! Read more about them here.

My short story, ‘Plastic’, will be published in the Stories for Homes Anthology Vol. 2. What is wonderful about this anthology is that the whole point of the anthology is to raise money for the homelessness charity Shelter. They’ve raised lots of money from the first anthology, which is still available to purchase, and the new anthology will be published towards the end of the year. Find out more about their extraordinary work here.

‘The Same People at the Bus Stop’ will be published in the very first issue of DNA Magazine. The editor, Katie Marsden, is absolutely wonderful to work with, and I encourage everyone to submit to future calls for submissions. Find out more about the magazine by visiting their website.

My flash fiction, ‘Veganuary’, was longlisted in the Bath Flash Fiction Award, and will be published in their second volume of their anthology, which will be published in December 2017 / January 2018. This I’m still so, so thrilled about! To enter the Bath Flash Fiction Award, or to find out more, visit their website.

My story, ‘Hair‘, won one of the weekly Ad Hoc competitions run by Bath Flash Fiction Award. You can read the story here: Hair‘.

Finally, ‘Men at Work’ was published by Great Jones Street, and is available to read on their mobile app. Download the app from the Apple App store or Google Play app store. You can read a little of it online, then purchase it online. Great Jones Street are an incredible platform of short stories, fiction on the go, and described as the “Netflix” of Fiction. Check them out there.

And as if all of that wasn’t enough, I’ve been helping organise the first ever Flash Fiction literary festival in the UK. You can find out more about it here: Flash Fiction Festival.

A Box of Stars Beneath the Bed: 2016 National Flash Fiction Day Anthology is OUT NOW!

The 2016 National Flash Fiction Day Anthology, A Box of Stars Beneath the Bed, is out NOW!

This collection already has a special place in my heart, as it was the first anthology where I have been involved with as an Editor, supporting Calum Kerr and Nuala Ní Chonchúir with a lot of the behind-the-scenes activities.

The anthology features my story ‘Ten Things that Happened After My Funeral’. The story is about a man who finds himself in limbo, and the rest is, from the title, pretty self-explanatory.

There are so many extremely talented authors in this anthology, and all of the stories are wonderful. Some of the authors include the likes of: Meg Pokrass, Paul McVeigh, Claire Fuller, Sarah Hilary, Angela Readman, Calum Kerr, Nuala Ní Chonchúir, Diane Simmons, Nik Perring, Kevlin Henney, Tim Stevenson, Michelle Elvy, Debbie Young, Ashley Chantler,  Jane Roberts, Jonathan Pinnock, K.M. Elkes, Chris Stanley, and so many more!

To purchase the paperback edition of the anthology, please follow this link here: BUY! The Kindle edition will be available very soon!

I’m the new Flash Fiction Editor of Firefly Magazine!

With great excitement, I am now able to share with you all some wonderful news: I am the new Flash Fiction Editor of Firefly Magazine!

Firefly Magazine is a journal of luminous writing publishing flash fiction, short stories, poetry, and artwork. It’s a magazine I have enjoyed reading and have had my flash featured in before, and I’m hyped to be a part of the editorial team.

So, what are you waiting for? Head over to Firefly Magazine, read previous issues, and send me your flash fiction! We read submissions on a rolling basis and you can send up to three pieces of flash fiction, and each piece can be a maximum of 500 words (there is no lower limit).

Here’s a little bit more about the journal:

Firefly Magazine is an online literary journal of Fiction and Poetry dedicated to showcasing the foremost in luminous writing. What’s luminous writing? Well, anything really. As long as it is capable of taking our breath away, we’ll consider it.

Don’t send me words that keep the world spinning, send me words that make the whole world stop. Send me words that demand to be read, send me words that make me think of nothing else. Take my breath away – I can’t wait to read your best!

The R-Word: How I’ve Turned Rejection Into My (Second) Best Friend

It’s inevitable; if you’re a writer and you submit writing to competitions or magazines you’re going to receive rejections. It’s one of the facts of life. Nobody likes to be rejected. Every “no” you receive makes you feel as if you’re not good enough, but here’s the thing, rejections can actually be your friend. I can hear you saying “What?!” now, but as I hope to explain in this article, rejections can make you a better, stronger writer.

Now everyone is different, another fact of life, so these are the 5 things I do when I get a rejection, and they work best for me. It’s how I’ve made rejection my second best friend. I say second because, obviously, my first best friend is an acceptance of publication. (Of course, I’m not talking about actual human beings).

I’m certainly no expert, but this list details what I personally do when I receive a rejection, and I find it helps me a lot and wish to share it with you all:

 

  1. Update my spreadsheet.
    In my previous article, which can be found HERE, I discussed how keeping a spreadsheet to track your publications can be great for motivation and generally knowing what you’ve sent where. Well I update my spreadsheet making note of the rejection but it also serves as a reminder of all the other pieces of writing I’ve had published and the ones I have still being considered for publication at the time – though this sometimes makes me think “ah, more rejections to look forward to” most of the time I think “look at all the potential acceptances still out there.”
  2.  

  3. Revisit my Writing
    Now it’s said that sending out a story, or any piece of writing, before it is ready is a mistake, which is true, however, there’s a factor of this statement that is never considered: we send out writing when we have revised it to a standard that we believe is ready for publication.

    Let me explain: when I submit a piece of writing to a magazine or publication I believe, at that moment of time, that the writing is ready to be read by an editor or judged in a competition. By the time I’ve received a rejection, it may have been several weeks, or even months. This is why you need to look at the piece of writing again; enough time has passed since you last reviewed the writing meaning you can read it objectively.

    For instance, a story I submitted a short story to a competition announced its longlist this week and I didn’t make the cut; this doesn’t mean my story was bad, it just means that there were other stories that were better – simple as that. But rather than send the piece of writing for consideration somewhere else straight away I choose to review it. This particular story was submitted when I thought it was ready in April, but now it’s nearly August, which means when I look at this story again I’m going to see things I didn’t see before.

    This means I can review, cut, add, change, develop, and edit my story in many ways. Perhaps I won’t need to, maybe I still like it the way it is, but the point is the time between submitting it and looking at it again is enough time for me to be able to see my writing in a different light. Simply looking at the writing again will make it better, even if I only change one thing.

    The main distinction between the original statement I disagreed with about sending your stories out before their ready is that only writing a piece then sending it straight away is a sure way to guarantee that your writing is not ready; you must give all writing time and space to breathe, and you must give yourself time to revisit the writing objectively in order to make it as strong as you can.

 

  1. Find somewhere else to send the writing.
    Though I said don’t find somewhere else to send the writing to straight away I didn’t mean this. You should definitely find somewhere else suitable to send the writing to, but you should first revisit it like I’ve previously said. I always ensure I have a list of opportunities waiting in the wing. The thing is there are lots of different publications and competitions out there, all with their own editors and judges looking for something in particular, all with their own tastes, and what doesn’t appeal to one editor or judge will probably appeal to another.

    I like to think of it like this: every opportunity I don’t pursue is an automatic rejection. I’m having horrible flashbacks of Dale Winton hosting the National Lottery’s “In It To Win It”, but you do – if you don’t submit your writing then you miss out on the potential that people will publish and read it. So get back out there!

 

  1. Don’t let rejection destroy your confidence.
    This is difficult and like I said everyone is different. Some people receive a rejection and pick themselves straight back up. Often I’m lucky enough to be in this category (but that’s because I’ve made rejection my second best buddy), but for other people this can really knock you back.

    The important thing is that the rejection of your writing is not a rejection of you as a person, though it feels like it because writing is personal; we write from our own experiences, our own dreams, we record the stories we want to share with the world, and when someone says “no” it feels like our experiences and the stories we want to tell are being invalidated.

    But this is not the case. Maybe it didn’t quite fit the publication. Maybe the writing needs a little more work. Perhaps you missed something (I once submitted a poem where the title was spelled wrong, probably why it was rejected). There’s always going to be a reason why the writing was rejected, but it is never about you as an individual.
    So, believe in yourself, and do steps 2 and 3.

    And remember all the times you have had writing accepted for publication; it beats all of the rejections, and if this hasn’t happened yet your time will come. It will. (I promise).

  2. Read
    Yes, we all know that reading is a great way to improve your writing. Reading is writing. In fact, it has been said so much that it’s almost in itself a cliché. But it’s true, and if you’re going to read anything, read what trumped your submission.

    For instance the competition I was referring to earlier publish an anthology of the prize-winning story and the shortlisted stories and this presents a great opportunity to read the stories that had done so well. By doing this I can learn what qualities these stories have that perhaps mine are lacking.

    Maybe you’ll read it and think I can’t learn anything from it, but I highly doubt it.

    This tip is also useful for publications and magazines for two reasons. Firstly, you can read the writing that was accepted giving you a clear indicator to the type of writing they like to publish. In fact, many publications advise you read what they’ve published before you submit your own writing. This increases your likelihood of an acceptance too; your story could be perfect, but if it doesn’t fit what the publication is looking for it won’t be published. The second reason why this is a good thing is that it supports the publication; after all without readers there’d be no publication to submit the writing to. So, you get a twofold benefit here: you can learn what qualities makes a competition winning piece of writing, or what fits best in a publication, which will develop your own techniques and abilities, and you support a publication that will rely on its readers to keep it going.

 

That’s it. This is what I do when I’m faced with a rejection, making it my second best friend. You take rejection and you learn from it. You become a better, stronger writer, and then you find a new opportunity to chase. I firmly believe that no matter how well someone writes, no matter how widely published or successful they are, they can always learn more.

I’m really interested to hear what you think about this list. Is there anything here that you don’t do and you’re going to do now? Or is there anything else you do that helps you deal with rejection? Let me know in the comments section!